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Amazing work from the new version of The Bar-Kays – a group who reformed to become a combo as heavy as any of the best funky groups from Detroit, LA, or New York at the time! There's a style here that's a sweet Memphis distillation of ideas bubbling under in music by Sly Stone, Funkadelic, and others – taken to new territory here by a group that was already steeped in 60s soul instrumental sounds! The cuts show a great ear for simple hooks and playful instrumental twists and turns – still with a bit of the trumpet used on Bar-Kays work of the past, but more in a groove that lets the guitar step out nicely with psychedelic soul undercurrents! Tracks include "In The Hole", "Funky Thang", "Grab This Thing", "Street Walker", "Humpin", and "Don't Stop Dancing To The Music (parts 1 & 2)".
A great little companion to the excellent film about the famous Wax Trax record store and record label – a set that brings together rare and unreleased material from some of the artists who made the company legendary back in the day! The album's the first in many years to bear the Wax Trax name – and it's like a great leap way backwards, past the darker later days of the label – to a time when the Chicago imprint was a wellspring of creative activity in the darker side of the spectrum – and a key link between our city and underground scenes around the globe.
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This isn't Jim Messina during his Loggins & Messina soft rock years – and it's not even Jim Messina during his Buffalo Springfield time! Instead, it's a very young incarnation of the guitarist – already wailing away at top speed, working here on a whole host of hot rod instrumentals! The album's a pretty rare relic, and very much at the highest level of the surf/hot rod instrumental moment – tunes that are mostly originals from Jim, recorded with a great little combo, and plenty of raw, raunchy energy on the strings of the guitar – all captured with just the right amount of echo to send the whole thing over the top. Titles include "No Name Dragster", "High Voltage", "The Jester", "A Rab", "Drag Bike Boogie", "Yang Bu", "The Thing", and "Strange Man". CD version features five bonus tracks!
A very cool 3LP set – filled with some of the best early tracks by Wilson Simonal – those jaunty, jazzy, samba funky tunes we love so much! Titles include "Zazueira", "Pails Tropical", "Meia Volta", "Voce Abusou", "Telefone", and lots lots more – a huge collection that pulls together the best cuts from his early Odeon recordings in Brazil!
One of the coolest Italian soundtracks we've heard in a long time – a wonderful set of tunes that moves from slinky, to easy, to groovy, and beyond! The tunes start out bubbling very spare and slow – with floating piano, moog, and other nice bits – and as the record progresses, the sound gets heavier, with some nice funky elements thrown into the mix! The whole thing's a brilliant exercise in understatement – not only one of the best soundtracks by Umiliani from the 70s, but also a perfect example of why we dig Italian soundtracks so much! Titles include "Volto Di Donna", "La Rinuncia", "Il Tuo Volto", "Nostalgia", "Le Ore Che Contano", "Cantata Per Maryam" and more. Schema CD also includes 12 alternate takes – with 24 tracks in all!
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Classic black rock funk from Stax, by the second version of the Bar-Kays (the first went down in the plane with Otis) with a nice hard sound all the way through. There's plenty of guitars in the mix, ripping away like a buzzsaw over the top of bass-heavy funk rhythms – ready to bite with the same sting of the rattlesnake that's pictured on the cover! Cuts include "Coldblooded", "Fightin' Fire With Fire", "Frame of Mind", and "Waiting and Hating".
Brilliant 70s work by Eddie Palmieri – easily one of his greatest records of the decade! The album features Eddie really showing off his jazz chops on a number of longer tracks – tunes that bring together some of the spirit forged during the Harlem River Drive era, with some of the more descarga-driven styles of his Coco albums. Eddie plays both electric and acoustic piano on the session – and the group is small and tight, with a sound that really compresses the energy of the grooves on the album! One that we'd recommend in a minute, with great tracks that include "Vamanos Pa'l Monte", "Viejo Socarron", "Comparasa De Los Locos", and the excellent "Revolt/La Libertad Logico".
Fantastic early soundtrack material from Ennio Morricone – penned for one of the "mondo" films of the time – a 1964 shockumentary on the state of Italian youth! As such, it's got lots of short jazzy tunes that run at a pretty fast groove, ostensibly to show the dissipation of the kids as they learn how to party – almost inspired by the realist style of early 60s TV, with a mix of bold themes, and more somber, contemplative ones. I Cantori Moderni sing wordless dreamy vocals on some numbers – and the shorter tracks offer up a very different sound of Morricone than you might expect – one that's more linked to some of his earlier pop productions in Italy – and which really gives you an idea of the depth of his early talents, even before the spaghetti western boom!
The wildly diverse, heavily percussive global jazz, soul, and exotica inspired Afrodesia from the late 60s combo Afro Soultet – a crazy rare one, too! The group purportedly has roots in Texas, but incarnations of it were gigging around LA a bit earlier as Afro Latin Blues Quintet +1 and a bit later as Afro Latin Soultet. Here they play with boundless inspiration from around the globe. Afro Latin percussion and rhythms hold it all together, but they bring in strains of Latin soul, African rhythms, straighter jazz and madly percussive instrumental rock. Producer/composer/arranger/raconteur Jack Millman plays drums in the group as Johnny Kitchen, and other players include Joey Dubreau on vibes, Frank Morris on guitar and harmonica, Eddie Paris on drums, Dean Elliot on percussion, William Quinn on flute & sax, and Bill Collins on keys. Includes "Afrodesia", "Mozamba", "Soul Rockin'", "Afro Revolt", "Torrid Zone", "Oom Gowa", "Slave Traders", "Drumbouie", "Aphro Bugaloo", "Chocolate Drop", "Le Berber" and "Sand, Sun And Sea".
Fantastic new music from Detroit reedman Wendell Harrison – working here with a renewed version of the Tribe Records scene, at a level that makes the album one of his best in many years! Wendell blows tenor and bass clarinet, and his group here is mostly younger, lesser-known players – but who soar with Harrison in a mix of spiritual jazz modes and a few more rhythmic currents – all with the kind of powerful, progressive vibe that made the Tribe Records material of Harrison and his contemporaries so important in the 70s!
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The return of Lee Van Cleef's Sabata – presented here in a soundtrack that's even groovier than the music from the first film! The title tune is especially wonderful – a killer soundtrack groove with a mix of English lyrics and scatting vocals from I Cantori Moderni – easily one of the grooviest tunes the group ever recorded! Other tunes have a groovy undercurrent too – romping basslines and piano bits, and weird strings and sounds folded together beautifully – making for music that's as compelling as the movie, even when heard far away from the images on the screen. This reissue includes a few previously unreleased bonus tracks – making for 18 tracks in all!
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